Mr. Bill’s Guide To Sound Design with Mud Pies
Mr. Bill is one of our favorite sound designers and glitchy, bass music producers and we had the honor of hosting him for an elite
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Mr. Bill is one of our favorite sound designers and glitchy, bass music producers and we had the honor of hosting him for an elite
Pyramind alum Adam Heffler shares how his experience and education at Pyramind gave him the skills to become a Sound Designer and Foley Artist. In
One of the most important elements of music production is getting the right sounds. This involves auditioning, modifying, and choosing the sound the works best
Let’s take a moment out of our busy schedules to appreciate the greatness of one of our favorite plugins; Echoboy from Soundtoys. Chances are you already know
Want more control and depth out of your sub bass? In this tutorial Pyramind mentor Shane Hazleton shares some unique techniques to add depth and
If you’ve been learning how to make music and feel like you’re skills have plateaued and haven’t quite reached that industry level, then our friend
Pyramind Chief Academic Officer, Matt Donner, shares short one minute production tips using various Ableton Live techniques. You can book one-on-one time directly with Matt through the Pyramind mentorship network.
Remix of the Solsage track, Sol Potion Pyramind Founder Greg Gordon (AKA Solsage) and Pyramind alumnus, Dany Dignin (AKA Imaginate) sit down and discuss their
Pyramind mentor Jor Van Der Poel shares insight on creating expressive Bass sound using various layering techniques. You can book on one time directly with Jor through the Pyramind mentorship network.
FM synthesis can be an intimidating type of synthesis–even for experienced sound designers. We’ve rounded up some of our best FM synthesis tutorials for those of you looking for techniques and suggestions as you tackle shaping your sounds with frequency modulation.
Check back for more sound design tutorials in alchemy by Jor!
In this sound design tutorial, Pyramind mentor and Ableton certified trainer Dustin Ragland gives you helpful pad designing tips. He uses Ableton’s Operator and Analog to build the foundation of the pad, then adds several effects to shape the overall expression—all within an instrument rack. He maps the effect controls to his Ableton Push, allowing for more physical control over the sound. The pad instrument rack is made up entirely of Ableton stock devices, making it easy for producers to follow along at home.
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