In part 5 of our multi-part game audio programming series, Brennan shows us how to randomize footstep sounds within a game. We’ve included a list of programming terms used in this video below, to help you follow along.
In part 4 of our multi-part game audio programming series, Brennan shows us how to make sounds loop within a game. We have included a list of programming terms used in this video below, to help you follow along.
VR Headsets do a pretty good job of tricking our eyes, but they mostly ignore our ears. We’ve partnered with FIMVR, a leading Virtual Reality meetup group here in SF, to workshop how to tell incredible stories and create immersive visuals through sound.
Watch the full video recap of the panel featuring David Grunzweig from Dysonics, Kevin Bolen from Skywalker Sound, Sharosh Khuwaja from SubPac, and Brennan Anderson from Pyramind.
In part 3 of our multi-part game audio programming series, Brennan shows us how to create coroutines for more advanced sound programming within a game. We have included a list of programming terms used in this video below, to help you follow along.
In part 2 of our multi-part game audio programming series, Brennan shows us how to add pitch and volume changes to a sound within a game. We have included a list of programming terms used in this video below, to help you follow along.
In this first part of our multi part series to basic programming for audio, we are diving into simply playing a sound in the game. There are a lot of terms and ideas thrown out that aren’t explained fully in the video, so below is a simple guide to these terms. There is a lot to unpack here, so be sure to stop the video and read about each one, as they are all extremely important to know if you are going to be doing even basic programming. Programming is somewhat like a puzzle; it’s hard to see how all the pieces fit together at first, but once you do start putting the right pieces in place you start to see a clearer picture.
Anki is a robotics and AI company best known for developing the Anki OVERDRIVE, a customizeable racetrack with app-controlled robotic supercars. In this three-part video series, Audio Director Brian Min and Audio Coordinator Ashley Coull discuss the influence audio has on their products, how hardware guides their development cycle, and what audio can do for robotics.
PullString is an entertainment and technology company that works to enable computer conversation with characters. In this three-part video series, Kevin Dusablon and Mike Forst discuss career mentorship, the inspiration behind the company’s vision, and how they envision their products being combined with AR and VR technology.
Pyramind Students Remix “Recursion” from original Tron Run/r soundtrack by Giorgio Moroder & Raney Shockney: Pyramind was commissioned to create four remixes of Recursion, the Giorgio Moroder and Raney Shokney
Excellence in Game Audio is celebrated annually at the G.A.N.G. Awards show – come and be a part of the magic as GANG recognizes the best of the best!
Game Audio professionals Steve Horowitz and Scott Looney chart a path thru the evolving playing field of sound for games. The session is comprised of a 2 hour presentation and a 45 minute panel discussion highlighting both the business and technical challenges in the new game audio marketplace.
Congratulations to Kristofor Mellroth, Paul Lipson, and the teams at Microsoft Studios, Pyramind Studios and Skywalker Sound for winning two of the top awards at GDC.
